This weeks Artist of the week is CŒUR ACIDE . The band operate somewhere between club memory and constructed myth, a project that feels less like a band and more like a world in motion. Drawing from italo disco, acid house and late-night pop aesthetics, their sound carries both nostalgia and distortion, as if pulled from a future that never fully arrived. " TOUCH ME (ALL NIGHT LONG) " moves with urgency: rhythmic, seductive, and slightly unreal. It doesn’t settle into one sp

From emotional suspension to collective release and political testimony This week’s Three Track Week 14 selections trace different ways in which contemporary independent artists navigate presence under conditions of uncertainty, pressure and conflict. Rather than converging around a shared genre or sonic identity, the tracks highlight distinct practices: sustaining emotional ambiguity through movement, transforming personal tension into collective energy, and articulating vi

Local Practices: Germany This Three Track Week: Signals 2 edition focuses on artists operating within German contexts while engaging with broader independent music networks. Rather than presenting a unified national sound, these tracks highlight different approaches to positioning: how artists navigate language, scene structures and transnational visibility. What emerges is not a localized identity, but a set of practices shaped by both local conditions and global circulation

This week's Artist of the Week is Linea Aspera. There’s a certain clarity in Linea Aspera’s sound: stripped down, cold, and almost architectural in its precision. Minimal synth structures meet distant, controlled vocals, creating a space that feels both detached and deeply intimate. Nothing feels excessive. Every element exists exactly where it needs to be. Their work moves within a lineage of minimal wave and post-punk that continues to echo across time - restrained, delibe

From articulation and authorship to collective release This week’s Three Track Week 13 selections explore different forms of practice within contemporary independent music. Rather than converging around a shared sound or emotional register, the tracks highlight how artists position themselves in relation to identity, visibility and participation. Across dream pop, cinematic pop songwriting and ska-punk, what emerges is a shift in orientation. Music is not approached as a fi

Early movements across authorship, continuity and articulation This first Three Track Week: Signals #1 selection brings together artists operating across different stages of their practice, from long-term scene presence to reconfigured authorship and socially engaged songwriting. Rather than forming a unified narrative, these tracks point toward distinct directions in how independent music is currently being made and positioned. What emerges is not a shared sound, but a set o