Memory, Time and the Music We Carry With Us In 2001, at fifteen years old, I stood inside Berlin's Velodrom watching Marilyn Manson perform one of the most unforgettable concerts of my life. The show was chaotic, theatrical and larger than reality itself. Manson arrived late, wore extravagant costumes and transformed the stage into a spectacle that felt almost unreal. Twenty-four years later, I found myself standing in Berlin again, this time inside the Columbiahalle. Manson

On attention, visibility and cultural resistance in the platform age Editorial Review | Partner Feature Political music often struggles with a familiar problem. The stronger the message becomes, the easier it is for the music itself to disappear behind it. Panda Clan largely avoid that trap. On "Leave Your Shit Out Of My Brain", the Milan collective use electronics, dub and metal not simply as vehicles for political commentary, but as tools for creating tension, unease and co

The Art of Remaining Two I’m Not a Blonde on partnership, privacy and creative coexistence Editorial Interview | Partner Feature In our review of "11 (The Art of Being a Couple)", we described the album as a record built around coexistence rather than fusion: a collection of songs navigating the space between intimacy and individuality, structure and vulnerability. While the album itself explores these tensions through sound, language and repetition, the creative process behi

The questions nobody escapes. Because music is never really just about music. This first edition of The Thing About Us #1 brings together Alex Amen, Sylvan Esso, Graham Hunt, Carlotta Schmidt and The Healing Power of Horses, five artists wrestling with the same persistent questions: Who are we becoming? What do we hold onto? And what happens when certainty disappears? People spend an alarming amount of time pretending. Pretending to know where they're going. Pretending to hav

On rhythmic electropop, emotional coexistence and the tension between minimalism and vulnerability Editorial Review | Partner Feature With "11 (The Art of Being a Couple)", I’m Not a Blonde approach relationships less as emotional fusion and more as a continuous negotiation between two distinct identities. Rather than presenting love as the disappearance of individuality, the Milan-based duo frames intimacy as coexistence: unstable, reflective and constantly shifting between